Showing posts with label natural light. Show all posts
Showing posts with label natural light. Show all posts

Tuesday, October 27, 2015

POTD - Amtrak's California Zephyr Descends Ruby Canyon Along the Colorado River

Photo of the Day: Peter Lewis
Ruby Canyon is one of those hidden Colorado jewels that few people get the chance to see, unless you're riding Amtrak's California Zephyr between Grand Junction and Green River, Utah. The 25 mile long canyon is aptly named; even without the "golden hour" the walls fit the description in every season. No wonder the train leaves Denver so early! Nonetheless, the trip is often too long to be reached in daylight on those short winter days.

Peter Lewis makes his second appearance on Photo of the Day with this entry that has already garnered some attention. Gaining RailPictures.net's trifecta of awards (Screeners Choice, Photo of the Week and People's Choice) is no easy task! I especially enjoy the mirage-like effect of the sky blue reflected off the roofs of the Silverliners! But what seals this choice for Photo of the Day, however, is Mr. Lewis' own notes on the photograph. He says:
Amtrak's westbound California Zephyr negotiates the confines of Ruby Canyon as it nears the Utah border on a captivating August afternoon in the breathtaking American west. When I walked up to the edge and took in the scene for the first time, I was simply in awe. This experience and those like it are one of the biggest reasons I enjoy this hobby. The remoteness and natural beauty of this area is simply incredible, especially for an easterner like me. [emphasis added]
Keep up the great work, Mr. Lewis, and I get the feeling that you'll be making plenty of trips like this one!◊

Tuesday, April 7, 2015

POTD: Snowy Drama From Spruce Meadows

Award graphic
A photographer can use a zoom lens to compress distance. It is one of its basic functions, but when one uses it well, it tends to produce a result that gathers notice.

If you're going to work at getting it right, one particular place stands out. The Greenland Ranch is on the far side of the Palmer Lake Divide. Descending away from the divide, the park works like a focal ramp toward Pikes Peak, while still keeping (relatively) clear of the Rampart Range. The vast area of Spruce Meadows open space with trails allows for some flexibility in setting up your shot.

BNSF 9029 Spruce 24 Mar 15
Photo of the Day: Chris Paulhamus
On March 24th, photographer Chris Paulhamus used all 200 mm of his zoom lens to close the distance between Spruce (the next stop south of Greenland) and Pikes Peak. "The Mountain" is lit up fantastically with sun catching the fresh snow carried by winds off the cornices. Despite the train facing north, the morning light still allowed a higher F-stop value of 8.0 to keep both the locomotive and the mountain in sharp focus. The square-jawed, man-made brawn of BNSF 9029, an SD70ACe from EMD, contrasts with the silent splendor and natural beauty of the peak and foothills behind it. Great composition, superb elements, and technical ability make for a great Photo of the Day!

Stay tuned for another from Mr. Paulhamus later this week!◊

Friday, October 17, 2014

POTD - Morning Sunlight Warming a BNSF Warbonnet

I've been following a photographer posting under the the name of "BUFFIE" for some time now. Their specialization is in industrial Denver's yards, so the scenic quality is harder to quantify, but today's photo is clearly a well thought-out effort. Here's a warm welcome and congratulations on making Photo Of the Day for the first time!

http://www.railpictures.net/viewphoto.php?id=502329
Photo of the Day: BUFFIE
When Santa Fe revived the Warbonnet scheme in the early 1990s, the result couldn't have been more positive. The now-standard full-width nose of the cab strongly resembles the EMD full cowl body that so iconically represented the railroad during the zenith of its passenger service and the hood portion retains the "blue bonnet" feel from its more recent past in terms of shape and lettering. After the BNSF merger, the eventual decision was made to switch to a new combined paint scheme that reflected the "northern heritage" of BN as well as the Santa Fe, now known as Heritage 2.

Only last Monday (the 13th), BNSF 755 wears her colors as proudly as possible, while her bolsterless trucks and undercarriage rust more closely resembles the earth around her than the fine silver that matched her flanks. The GE Dash 9-44CW has just now received the full morning light of the sun to warm up with, while a puddle reflects the red, yellow, and silver that used to roam in far greater numbers--not once, but twice!--under the blue skies of America's vast southwest.◊

Thursday, August 28, 2014

POTD - Morning Rays Make Magic Even More Rare On UP Westbound

The rising sun is one of the best ways to color your photographs. During maybe a  half-hour at most, the sun shining through more of the atmosphere than any other part of the day as a natural filter, bathing everything in a golden, almost fiery glow. This is especially true on the Front Range because mountain shadows make evening shots with that natural glow next to impossible.

Aiming into the morning sun
Photo of the Day: Mike Danneman

Trains magazine Sept 2014
Mike Danneman is no stranger to POTD. Also his brother Tom Danneman had a single-photo, double-page spread on pages 36 and 37 (sample at right) in September's Trains magazine. So you might say it runs in his blood. His consistently good work has him sitting near rock star-status (if there is such a thing in the railroad photography world). Why are rock stars famous? Because they take something that is difficult and make it look easy. Today's Photo of the Day is a perfect example.

The Union Pacific sends its track inspection car over the Rio Grande's Moffat Route from Denver. Fair enough, except that the Moffat is west of Denver, putting the locomotives and the train heading west in the morning in their own shadows. But Mr. Danneman has shot the Moffat often enough to know that, in a quest for altitude, the track layers of over a century ago reversed direction to run the rail around the tongue of a mesa. This reversal is now called Little Ten Curve and Big Ten Curves, ten referring to their curvature. In that one spot, the westbound train would be facing geographic east. Be there at the right time and the rays of the sun will bathe the yellow train in a golden glow! Mike met the train in that 30 minute window and we see the magic results. 

He makes it look easy.◊