POTD: Snowy Majesty From Greenland Ranch

Today we get a second shot from March 25 by Chris Paulhamus. When the weather is perfect like this, would you turn a second shot down? Taken an hour later than Monday's POTD, Chris notes that the wind has picked up a bit by blowing the heat shimmers across the center of the frame. Pikes Peak's east ridge remains in the clear. Had the auto focus been left unchecked, I wonder if we would be looking at the same picture.

Photo of the Day: Chris Paulhamus

While the loco is more maize than Armour (mustard) yellow because of the diesel grime accumulating on its nose, 4591's winged shield brings a bit of the wild blue down to the rails. The perfectly dead on shot is another great contrast, especially the organic horizontal lines compared to the SD70-M's rigid steel lines. The meridian of light and dark is also carried by the landscape, owing to the difference in altitude.

Even on it's own, weather differences can make for a startling contrast, especially in spring when warmth along the Front Range doesn't reach the snowy climes at altitude. For the next two months, a trip to Greenland and Douglas County Open Space might be worth it for the practice. For best results, go in the morning, and bring your tripod and your scanner!◊

POTD - One Train - Part V

Today is Friday before Labor Day (Yeah!), and so we're wrapping up the theme for the week of One Train. Five different photographs of one train by Kevin Morgan of ColoradoRailfan.com have illustrated different aspects of railroad photography.

Perspective seems to be my favorite aspect of railroad photography, I guess, because I've been talking about it for most of the week. This shot illustrates a near perfect vanishing point.

Thanks to Mr. Morgan for the great shots and for use of these photographs to illustrate my points on perspective and railroad photography. It was awesome that even without any planning this whole series worked so well. Spontaneity sometimes works wonders, something you can also take to heart in photography. Experiment, try new things, and be willing to live with the results. You never know what you'll come away with until you try!

A meet between BNSF trains in Boulder yields a great perspective shot as
a double stack passes a dormant unit train on the siding on August 24, 2011
Photo: Kevin Morgan

If I don't post later this weekend, have a great Labor Day! Enjoy summer while it lasts, and if you can't find anything better to do, pop on by your local railroad museum. I'm sure they'd be glad to have you!

POTD - One Train, Part IV

For POTD this Thursday, I'm continuing the theme of One Train. Today's is very similar to yesterday's in terms of angle, but it has something very different. It's from a lower angle, which leaves room for the inclusion of a very unique cloud formation. While there may or may not be a statement in including the cloud, such as wings, for Boeing's cargo in the first car, at right, there can always be such angles if you work for it, using the right focal length, and so on. The elements that you include that are non-train related give you the ability to express your art however you want.

A BNSF double stack train rolls past a tied down unit coal train. The first
car of the double stack is bound for Boeing in the Pacific Northwest.

Photo: Kevin Morgan

POTD - One Train, Part III

Continuing with part III of this week's theme:

One train.

Perhaps the most classic pictures known in railroad photography circles are the approach photos, where a train is approaching on a single set of rails toward the photographer's position. It's a simple shot that a lot of photographers rely on as their "go-to" shot when capturing a train. It doesn't depend much on topography or distance available, unlike the previous two POTDs.

The feeling is one of imminent anticipation. The train is a traveler, passing in only moments. It bears a load from incognito toward parts unknown. It is arriving in only seconds, unrelenting and unhesitating toward its eventual destination. In the moment, it is everything we know of railroads.  It can be a brawny diesel, like this one, or a speeding 4-8-4, a miniature 4-4-0 of the wood-burning, narrow gauge variety, or an F-7 (or even an E-8) with the graceful curves and beauty that made her an icon of American railroading.

By stepping down next to the right of way, Kevin Morgan has put the point of view into the same vantage point most of the world sees trains in their most powerful and acclimated setting. 

Headed by locomotive 5338, a BNSF double-stack intermodal train comes in
for a meet, holding the main with a rather quiet train tied down on the siding
Photo: Kevin Morgan

POTD - One Train, Part II

This week's theme is:

One train.

I have always been an acolyte of long lens work. There's something about being able to take a great distance and smash it into one 2-dimensional image. It's photography doing what it does best, and photographer Kevin Morgan makes it work well here.

In this case, a telephoto shot that doesn't close the distance, but instead takes a great distance of rail (a half mile?) and shows all the wobbles, variances and sags in something that--at least conceptually--should be stable, straight and strong. The haze on the horizon and subtle air distortions close to the rails makes the shot feel all the more heat laden as the rails all but melt into pools of silver.

A BNSF stack train trundles along under an ardent August sun
toward a meet over rails that look too hot to ride this afternoon
Photo: Kevin Morgan

POTD - One Train

I've had this idea for a theme of POTD, and I'm going to try it out. It's simple:

One train.

That's it. One train for the week. Obviously, we'd need five photos, and not just any photos. Five good photos that show different aspects. What's even better? The guy doesn't even know he did it for me.

Kevin and I have spoke very seldom, but he knows I am a fan. If you've read here for any period, you'd know it too. His web exposure is great because he has his own web site. This site lets you do searches by railroad, location, and even by weather. He e-mails his subscribers when he has new work, describing--sometimes in great detail--his shots and the stories behind them. He's doing what he can to get a core of loyal followers that take an interest in his work. Is he a regular producer? No, but if your work is of sufficient quality, that shouldn't matter. My point in this little diatribe is that it takes more than a good camera and average skills in railroad photography to make things happen.

In the decades before the internet, it took photographers the effort to find receptive clubs to come display their work, to sit down and organize their slides in trays, then haul them off in their car to the club meeting place, usually in the dead of winter, set up a projector and sit in the dark with a bunch of other grown men, and even women, and put your talent on display in front of everyone. Today, it requires a little less physical work, but effort is still a vital part. Learn how to use the tools like Blogger, Twitter, Flickr/SmugMug, Facebook, FeedBurner, Constant Contact, web forums and other, often free tools to increase your ability to interact and bring out your better photos. Making full use of the internet can change everything for you as a photographer and artist.

Diatribe over. Thanks!

Today's Photo of the Day is the basic high-angle, shot from a hill, overpass or other feature that enables a high view showing the tops of the locomotives and cars. Shot usually from the same side as sunlight, the effect is to show the train in the context of it's route. Interesting features of landscape fall second to the features of the train itself. This particular shot has the added benefit of the train curving between two trees that create a natural frame for the shot. The train is now part of the land, not just passing over or through it. What looks like just a shot of train at first glance is instead a carefully composed subject in its context.

Time: 11:52 AM

BNSF Double stacks are rare on the Front Range of Colorado
but this train seems as much a part of the land as the earth itself
Photo: Kevin Morgan

POTD - Silver Sky Vanishes Into the Dark

Some photos need to be cropped and others don't. I've learned that it's a good idea when shooting to leave some extra space around what you're shooting. Like my barber said, "We can always go shorter." Risk a slight loss of definition for a better chance of making a great photo. Not having the right size is nearly always the cause for an awesome photograph missing the cover of a magazine. A primary example of this is today's Photo of the Day: Silver Sky farewell at Moffatt Tunnel.

Former California Zephyr Sleeper/Observation/Dome car Silver Sky
just before vanishing into the darkness of the Moffat Tunnel, 1987
Photo: Chip colorado zephyr

Featured Photographer - Gary Morris

Aside from the photo aggregate sites like  railpictures.net and rrpicturearchives.net, it's hard to find photographers with high-quality railroad photographs of the 60s, 70s and 80s in Colorado. That's why I got a bit excited when I found Gary Morris' site and his section on the Rio Grande Railroad earlier this summer. He's got his collection organized in HTML by railroad, but you can still find a few BN and UP shots in Denver if you dig for them.

Fall Colors Approaching Their Peak In Southern Colorado

It's September, and that means the fall aspen colors are making their annual appearance in the high country. Usually they are in evidence the first week after Labor Day in the north of the state to as late as the first or second week of October in the far south near New Mexico. I say usually because there is no sure fire way to predict how the aspens will change. Sometimes they peak in color quickly, in what seems like a few days. Other times, the peak is more than a week in some areas. By peak, I mean that the traces of green in the leaves are almost totally gone but all or nearly all of the leaves are still on the trees. Some years, there isn't a peak, and that's depressing!